Growing a little tired of my own voice, and with Jupiter recently entering my 11th House of Friendship, I thought I would set up a few mini-interviews with people whose voices I have great respect for!

Asia Haleem has been a friend since 1986, when we discovered we had shared past lives as Astrologers in the Ancient world.  She’s a Sun Sign Virgoan.

Many years ago the embryo for Cosmokrator, based on a Stone Age ball in the Ashmolean Museum, was devised in discussion with the late mathematician, Charles Muses, a friend of Linda Goodman.  It has taken two decades to fully fledge.

Asia has recently revamped its website, and I thought it would be an opportune moment to launch my interview series and bring Cosmokrator to the attention of a few more people.

Lana: Could you describe the origins of Cosmokrator in your own words?

Asia: All my life I’ve been interested in gifted people who experience synaesthesia which means they see colours when they hear musical notes, or experience shapes when they taste different foods.  The idea that different levels of matter are linked in musical octaves goes back to ancient Egypt and Hermes Trismegistos’ famous saying As Above, So Below.

Lana: You’ve called it an instrument, an icon and a toy: can you describe it to me?

Asia: It is like a little football – a cuboctahedron with 14 coloured facets for the 12 signs plus the Black-White Polar Axis going from Pole to Earth.  Starting from a person’s Sun Sign you can play games by finding out how compatible you are with other people by locating their sign and colour on the model.  My own feeling is that once made, its beauty alone sets off all sorts of natural associations.

Lana: This product brings together many facets of your life’s work, as a teacher of iconography, researcher of ancient history, and of ancient astronomy.  Please could you let us know a little about your passion for these subjects?

Asia:  I find ancient knowledge quite riveting and relevant to our lives today: in a strange way very ancient and very modern people understand each other – extremes meet!  That’s why I now have degrees in art history and archaeology, and a particular interest in the extraordinary work of the Babylonian astronomers (Cosmokrator Book 7A) whose clay tablets, on display in the museums of the world, contain lists matching the Signs with colours, plants, materials, shapes and events.

Lana:  How do you define an icon, and specifically in relation to your creation?

Asia:  An icon is a support for contemplation, a doorway to higher worlds.

Lana:  For someone like myself, who is daunted by geometry, is it easy to use?  One of my friends, who bought one, describes it as impressive and exciting.

Asia:  The model is sent to you already drawn out, scored for folding and colour printed: all you have to do is assemble it.  No knowledge of geometry is required – just a tube of glue.  The website gives guidance. (If only we could afford the version suggested by Element books: made of interlocked semi-precious stones).

Lana:  Does it rest on sound astrological foundations?

Asia:  It is astrologically tried and tested for accuracy, based on ancient records.  I have one on my mantelpiece with the current sign facing up as we go through the year following the colours of the months.  It helps to show up the nature of World Age Axes (Aquarius-Leo is Mauve-Gold, for instance).  Ultimately it serves as a support for spiritual work, and provides alphabets of the universe that children could be taught from kindergarten.   It truly is a polyvalent instrument which can be light-heartedly used as a toy to start with – the best way to learn what it can do is through making and playing around with it!

Here are the links, which also appear on my Contact page:

Cosmokrator model explores Astrology/Colour/Sound/Music/Shape:

http://www.cosmokrator.com/

For more information about Asia’s life and work:

http://www.layish.co.uk/ (still under construction)

 

Date: Feb 6th, 2010 · Comments RSS · Tags: Colour Healing · Interviews